icon caret-left icon caret-right instagram pinterest linkedin facebook twitter goodreads question-circle facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Notes from a Western Life
Ranging Far and Wide on the High Plains and Beyond
Linda M. Hasselstrom's Blog

Giving Away the Saddles

This is the saddle made by Charley Streeter of Buffalo Gap, South Dakota.
It was made for me when I was 12 years old. This photo was taken in the late 1980s.

. . .
Note: This blog was originally posted on January 12, 2013.
It is re-posted now with the addition of the thank-you letters at the end.


Recently I gave away my saddles: my father’s old Duhamel saddle, the saddle made for me when I was twelve by a saddlemaker in Buffalo Gap, and George’s, also an antique. They went to a family in the neighborhood, with two sons and a couple of nieces who may eventually grow into one or more of the saddles. The two boys have been wanting saddles of their own but the cost simply wasn’t possible. And the nieces, coincidentally, are descendants of a man who used to repair all our riding boots in his saddle shop.

When I showed the high school boy my father’s old-fashioned saddle, his eyes opened wide and he smiled so hard he must have strained a muscle. Suddenly I could see my father on his Tennessee Walking horse Zarro. And I seemed to see him smile at this long-legged kid, as tall at 17 as my father was as an adult.

Then the younger boy took my saddle in his arms-- the weight nearly felled him-- and with a determined frown hoisted it over his shoulder to carry it outside. He put it down on the ground while his mother opened their car-- but he put it down with the sheepskin lining against the ground. Quietly, the older boy corrected him: when you put a saddle down, you tip it over, so the horn rests on the ground, to keep from breaking or straining the tree inside and to keep the sheepskin lining clean.

After they left, I cried, thinking over long memories of riding with my father and George, but I smiled too, to know those saddles will be ridden and cared for by another family for more generations than I will live.

Later I realized that giving my saddles away is an admission that I am unlikely to ride a horse again. Of course I didn’t ride all the time we lived in Cheyenne but I always had my saddle oiled and ready.

I'd suffer plenty of muscle pain if I rode again but the worst part would be that I’d be riding a horse I didn’t train. Many of the times I’ve done that, I’ve regretted it: no one trained horses the way I learned to do from my gentle father. Horses are intelligent and sensitive and too many of the ones I’ve ridden that were owned by someone else had been treated so that they were untrustworthy. I’ve been kicked in the upper arm, thrown, rolled on.

No, I’m not likely to ride a horse someone else has trained and that means I’ve given up something that was of deep importance to me. The freedom of riding a horse here on the ranch has been unparalleled in my life; the sheer joy of moving in such harmony with a horse’s muscles and mind is like nothing else I’ve ever experienced.

I have made this choice many times in the past few years and giving away the saddles was making it again, more permanently. I’m nearly seventy years old but I’m not in bad shape. I could buy a young horse, train it, spend time riding. Or I could buy an older, well-trained horse and enjoy rides all over the pastures I still own. But I have responsibilities to my partner, to my dogs, to my garden and most of all to my writing. The time I devoted to riding would need to be taken from something else and I choose not to shortchange those other elements of my life. Most importantly, I’ve chosen to sit in this office chair and write about the life I lived, hoping to help inspire protection of the prairies and the ranching life so that other youngsters may know the life of freedom I knew on horseback.

When the family asked if they couldn’t pay something for the saddles, the teacher in me arose. In return for the gift, I asked only that the two boys write me their thanks. I reasoned that besides providing them with good practice in writing in general and in expressing gratitude in particular, the exercise would serve as an illustration that generosity is an important part of enjoying a satisfying life.

To prove my confidence was not misplaced, here are the letters I received.

From the high school student:

Linda, I want you to know how awesome it is to have a usable piece of history. Every time I use the saddle, I think about your Dad and the kind of hardworking but interesting person he must have been. Thank you for sharing your history with me!


From the grade school student:

Linda, I like character. The saddle I ride has that. Plus it has a neat story. A South Dakota author grew up having adventures in my saddle. Pretty neat.


From their mother and father:

Linda, Your husband's saddle has been used by __________ (two nieces who are neighbors). We do cherish the fact that you saw our children and extended family as keepers of your story in any form. We also love that you see them as responsible and caring enough to preserve some very fun saddles that would have stories to tell if they could talk.



# # #

back to top
 Read More 
3 Comments
Post a comment

Ken Steinken’s MyTown Blogand Remembering Carl Sanson

Field trip on the old Sanson Ranch, 2012
The Sanson family owned this property from 1882 to 1987. It then passed to the Casey family, and now is part of Wind Cave National Park.
Photo by Ken Steinken

. . .
Ken Steinken, who has worked on his writing at Windbreak House Retreat, has been getting paid to write (and take pictures) for KOTA's MyTown website. He chooses his topics and is able to, as he says "drive around the Hills looking for ideas." The site is set up so that all Ken’s articles are archived by author and readers can subscribe to his posts– almost like having his own blog.

Ken Steinken's KOTA TV MyTown blog

Ken says:
Anybody can write for the MyTown website as long as it has connections to the Black Hills area or to Gillette and Sheridan, Wyoming. And writers who contribute regularly may even become eligible to receive concert tickets and occasional cash incentives in appreciation for their participation. Potential new writers should send an email expressing their interest to Kandi@RobertSharpAssociates.com

The editors are open to any kind of writing including poetry and would consider starting a specific section for poetry if they got enough people submitting. The site may eventually expand into the Nebraska Panhandle as well.


A few years ago I encouraged Ken to join the Great Plains Native Plant Society. He admits he should have heeded my advice sooner (!) But now that he’s a member, he enjoys field trips. The most recent was participating as an inventory volunteer on the Sanson Ranch property which has just become part of Wind Cave National Park. I am delighted to present this link:

Ken's blog “Up-close Look at Wind Cave's Sanson Ranch”

I’m especially happy to know about this land acquisition since Carl Sanson was a great influence on my life as a horsewoman. He helped advise a horse club that a friend, Mikkey Murphy, and I organized when we were teenagers. Patiently, Carl worked with a dozen horse-crazy kids, teaching us how to respect our horses as well as to get the best performance from them. He also hauled our horses around when we were short of qualified drivers and stock trailers. We devised a number of intricate maneuvers to execute at a gallop in the arena. When we had horse wrecks, Carl was there to pick us up, dust us off and tell us to get back on those horses. I recall that he sat up several nights nursing his own horse when it was gored by a buffalo during the annual roundup in Custer State Park.

I find it fitting that the ranch on which he lived a bachelor life has become part of our national and state heritage.

Take a look at some of Ken’s other pieces while you’re exploring. Steinken: The Next Generation, is about becoming a grandfather. Follow the Shootingstars resulted from a gathering of the Prairie Winds writing group (for which I also once taught workshops) in June of this year.

After you've read Ken's great pieces, consider writing your own.

# # #

back to top
 Read More 
Be the first to comment

Poetry in Daily Life

. . .
In 2009, I was asked to write about “poetry in daily life” for the National Cowboy Poetry Gathering magazine. This is what I wrote.

The lines of quoted poetry are cited at the end of the essay.

* * *

One sweet mornin’ long ago, my mare and I were trailing cows and calves home from summer pasture near the Badlands, where the sharp crests dream in the sunset gleam.

My father’s green ‘49 Chevy pickup idled in front, while Rebel nipped slow cows on the tail, and I day-dreamed about riding wilder horses after faster cows.

I kin ride the highest liver
‘Tween the Gulf and Powder River


For my twelfth birthday, I’d gotten Sun and Saddle Leather by Badger Clark, South Dakota’s poet laureate and one of the finest cowboy poets ever. I began to hear “The Legend of Boastful Bill” in my head.

So Bill climbed the Northern Fury
And they mangled up the air


While I recited, Rebel twitched an ear, jingling her bridle to the hoofbeat rhythm. By the time the cows ambled home, I’d recalled most of the words. My father didn’t care for Bill’s methods:

I’ll cinch ‘im up and spur ‘im till he’s broke

but he could recite most of “The Rime of the Ancient Mariner” and “Snowbound.” Mother preferred ballads:

Summer of 'sixty-three, sir, and Conrad was gone away--
Gone to the country town, sir, to sell our first load of hay.


She’d learned “Kentucky Belle” in grade school. When she was 91, we recited it together, tears in our eyes, reminiscing about the past, or, as Badger put it:

Men of the older, gentler soil

Poetry is part of everyone’s daily life. The advertising jingle you can’t get out of your head is someone’s best effort at making you remember. After 25 years, I can still see the blonde driving the pickup with this bumper sticker:

You’ve never lived
until you’ve loved a sheepherder


If you remember a line, it’s likely poetic. Samuel Taylor Coleridge called poetry “the best words in the best order.” Making a living as an itinerant writer, I drive a lot, remembering good lines to force the ads and bad jokes out of my brain.

Over the Springtime plains I ride,
Knee to knee with Spring


Poetry romps me through bleak regions with bad radio stations, keeps me from tuneless singing. With poets as passengers, I’m never alone. Badger reminds me:

I stand here, where the bright skies blaze
over me and the big today.


A day that starts with poetry is better than one without. Online, I often read www.cowboypoetry.com and The Writer’s Almanac. I hate going to town, but when I do, I warble:

We’re the children of the open and we hate the haunts o’men,
But we had to come to town to get the mail.


Badger lived just up the road, and answered my sixth grade letter [oops, I was guessing, because I hadn’t yet found the letter; I was in eighth grade] with encouragement to write, so I can almost hear him chuckle:

And we’re ridin’ home at daybreak--‘cause the air is cooler then--
All ‘cept one of us that stopped behind in jail.


Letters piled on the seat, I hurry home to my real work, declaiming as he did:

“Just a-writin’, a-writin’,
Nothin’ I like half so well
As a-slingin’ ink and English--
if the stuff will only sell.”


* * *

By Linda M. Hasselstrom
First published in the magazine for the 25th National Cowboy Poetry Gathering
Held in Elko, Nevada, January 24 - 31, 2009.

# # #

Quotations in the essay:

One sweet mornin’ long ago,
-- from "The Legend of Boastful Bill" (Badger Clark)

the sharp crests dream in the sunset gleam.
-- from "The Bad Lands" (Badger Clark)

I kin ride the highest liver
‘Tween the Gulf and Powder River

-- from "The Legend of Boastful Bill" (Badger Clark)

So Bill climbed the Northern Fury
And they mangled up the air

-- from "The Legend of Boastful Bill" (Badger Clark)

I’ll cinch ‘im up and spur ‘im till he’s broke
-- from "The Legend of Boastful Bill" (Badger Clark)

Summer of 'sixty-three, sir, and Conrad was gone away--
Gone to the country town, sir, to sell our first load of hay.

-- from "Kentucky Belle" (Constance Fenimore Woolson)

Men of the older, gentler soil
-- from "The Plainsmen" (Badger Clark)

Over the Springtime plains I ride,
Knee to knee with Spring

-- from "The Springtime Plains" (Badger Clark)

I stand here, where the bright skies blaze
over me and the big today.

-- from "The Westerner" (Badger Clark)

We’re the children of the open and we hate the haunts o’men,
But we had to come to town to get the mail.

-- from "From Town" (Badger Clark)

And we’re ridin’ home at daybreak--‘cause the air is cooler then--
All ‘cept one of us that stopped behind in jail.

-- from "From Town" (Badger Clark)

“Just a-writin’, a-writin’,
Nothin’ I like half so well
As a-slingin’ ink and English--
if the stuff will only sell.”

-- inscribed by Badger Clark on a copy of Sun and Saddle Leather, and quoted in the Preface to the 1952 edition, written by “R.H., who is not identified in the book.”

# # #

For more information:

See my other blog posting about my childhood correspondence with Badger Clark ("My Brush with Fame: Badger Clark").

Western Folklife's website for the National Cowboy Poetry Gathering

The Badger Clark Memorial Society's website

Cowboy Poetry Website page dedicated to Badger Clark

Website for The Writer's Almanac
Garrison Keillor recounts the highlights of this day in poetic history and posts a short poem or two.

back to top

 Read More 
Be the first to comment

My Brush with Fame: Badger Clark

. . .
My contact with Badger Clark was brief and by letter, but his influence on my life has been huge. I may have first encountered his poetry in the Custer County Chronicle newspaper where it regularly appeared during my childhood. My mother gave me my first copy of Sun and Saddle Leather in 1955, probably for my twelfth birthday. My first copy of Sky Lines and Wood Smoke is number 252 of 1000 from the numbered edition of 1958, and I believe my grandmother Cora Belle Hey gave it to me.

To memorize Clark’s poems, I practiced reciting them while moving cows to pasture. I’d read a particular poem two or three times before starting the ride. The rhythms-- iambic pentameter-- fit perfectly with the movement of the horse, and feeling that rhythm could sometimes help me find the line I was searching for in my brain. On days when the cows were slow, my father probably heard me bawling, “At a roundup on the Gily one sweet morning long ago” to make them move. A few years ago I was present when Paul Zarzysky momentarily froze while reciting that poem, Badger’s popular “The Legend of Boastful Bill” in front of a crowd in New York City; I was proud to be able to bellow the line to him.

I also recited several of Badger’s poems in declamation contests; my favorite, which I discovered still lurking in my brain and recited at the National Cowboy Poetry Gathering in Elko, NV, a few years ago, might be “The Westerner.”

It begins,
My fathers sleep on the sunrise plains
and each one sleeps alone.
Their trails may dim to the grass and rains,
For I choose to make my own.


Mumbling this poem under my breath at key points in my life has helped me make my own trail.

Another of my favorites is “The Plainsmen,” (Men of the older, gentler soil,/ Loving the things that their fathers wrought) or maybe “From Town” (We’re the children of the open/ and we hate the haunts of men.) Of course, his most popular and best-known poem, “The Cowboy’s Prayer,” is often reproduced on place mats, t-shirts, mugs, and funeral programs as having been written by “anonymous.” This happened even during Clark’s lifetime, and he was philosophical about it.

Why was I writing to Badger Clark? From a reference in his letter, after much brain-cudgeling, I concluded I wasn’t merely writing as a fan. I believe that the seventh and eighth grade students of Hermosa Grade School, under the direction of Mrs. Anna Tubbs, put together a historical project in 1957. We interviewed older residents of the communities around Hermosa, recorded their stories, and made a scrapbook. We dedicated that scrapbook to Badger Clark, and made plans for the class to visit him. (In an effort to locate the original, I’ve now volunteered to catalog some collected documents at the Custer County 1881 Courthouse Museum.)

Here’s Badger Clark’s letter, postmarked Custer, SD, Feb. 7, 1957 2 p.m., and typed on a manual typewriter on paper with a simple letterhead:

* * *

Badger Clark
Custer South Dakota

9 February, 1957 [yes, for whatever reason, it's dated after the postmark]

Dear Linda,
Thank you very much for the honors you confer upon me by dedicating your scrapbook to me. It is hard for me to realize that I am becoming an old-timer, though not a pioneer. For so many years I have looked to older men as old-timers but now, all of a sudden, those men are gone and there seems to be nobody left but men younger than I. It is a strange feeling and someday, a long way ahead, I hope, you will experience it.

As I have written Mrs. Tubbs, I have no speaking engagements this spring and you are free to set your own date, but, as I told her, with a big crowd and a small cabin, it might be well to put it in April or May when, with good luck the weather will be warm enough for the party to spread out on the porch. I’ve entertained as many as twenty-five young people here in the house, but that’s about the limit. If you want to have a lunch and roast wieners, I have both a range and a fireplace.

Last, I want to congratulate you on being able to express yourself on paper. Writing and reading are both neglected arts in these days. The other day I heard of an eighth-grade boy, writing some sort of an exercise for school, who had to ask his mother how to spell “catch.” And every now and then I get a letter from a college graduate which contains misspelled words or bad grammar, or both. It is a pleasure to get a letter like yours.

Good Luck.

Badger Clark

* * *

Apparently my class was not able to visit him that spring, because his second communication to me is a 2-cent postcard postmarked 2 p.m. April 26, 1957.

* * *

Badger Hole, 25 April.

Dear Linda: I shall be away for nine or ten days during the first half of May and in fact it is hard for me to know just what days I shall be at home during the month. This is my busy season, you know-- commencements and the like, and I expect the last month of school will bring various special occasions for you. As it is so late, I believe we had better postpone our party until after school begins in the fall. The weather will be more dependable then, for one thing. That may look like a long time to you, but when you’re my age, you’ll know it ain’t, it ain’t, it ain’t!

B.C.

* * *

Badger Clark died that fall, September 26, 1957, at age 74.

. . .

Last summer, I was asked to record some of my thoughts about Hermosa history for the Hermosa Arts and History Association; I am, I realized, one of the older residents able to do so. And just as Badger predicted, while the date of these events may seem to be a long time ago, “it ain’t, it ain’t, it ain’t!”

# # #

For more information:

The Badger Clark Memorial Society's website
Find information on Badger Clark and his work, purchase copies of his books, and learn about visiting The Badger Hole, his cabin in Custer State Park.

Cowboy Poetry Website page dedicated to Badger Clark
This page includes a huge treasure trove of information about Badger Clark, including some of his poetry, an introduction to the 1922 edition of Sun and Saddle Leather, information about recordings of cowboy poets reciting Badger’s work and musicians who have set it to music, and much, much more. The site even includes my report on the first annual workshop in his honor I taught in 2006, with photos of The Badger Hole, and information on the movie about him, Mountain Thunder.


Resources include:

Cowboy Poetry, Classic Poems & Prose by Badger Clark
Edited by Greg Scott, published (2005) by Cowboy Miner Productions. This book (432 pages) includes all of Badger Clark's short stories; poetry, including more than two dozen previously unpublished or long out-of-print poems; essays; letters; and photos.

As of 2010, the Cowboy Miner Productions website is no longer active. For more information on this book:
Cowboy Poetry website's page for Greg Scott's book

For my review of this book:
Cowboy Poetry website's book review by Linda M. Hasselstrom

I am fortunate to have a copy of the first, 1935 edition of the Sky Lines and Wood Smoke, printed at “The Chronicle Shop” in Custer and copyrighted by Francis Case. I also have The Badger Clark Story, published in 1960 and now out of print, by Helen F. Morganti, a formidable newspaper woman and writer whom I knew slightly when I lived in Deadwood. I’m told this is available for $8 postpaid (quantity discounts available) from Black Hills Books & Treasures, 112 S. Chicago Street, Hot Springs, SD 57747 605-745-5545.

Also in my collection, and still available, is Jessie Y. Sundstrom’s Badger Clark, Cowboy Poet With Universal Appeal. $12.45, postpaid. Make checks payable to Jessie Y. Sundstrom and send to send to: The Badger Clark Memorial Society, Box 351, Custer, SD 57730-0351. This book (about 65 pages) includes much personal history for Badger Clark, three poems, photos, and a bibliography.

back to top

 Read More 
Be the first to comment